Inspired by a visit to the Foundling Museum in Bloomsbury, Halls offers up a fascinating glimpse into life for women in the 1700’s from both sides of the class divide. You might be able to guess where this story is going but that doesn’t take any of the surprise, emotion or beauty away from Halls’ exceptional tale. It’s a decision that she will come to regret as her carefully constructed world soon begins to fall apart. When a mutual acquaintance encourages her to hire Bess as a nursemaid for Charlotte, a reluctant Alexandra invites a stranger into her home for the first time in years. Having barely left the house in a decade, Alexandra lives an anxious and regimented life, a stifling existence for her young child Charlotte, who doesn’t know what it’s like to play in the street or mix with other children or wander through a park.
Less than a mile from Bess’ lodgings, in a dark, shuttered townhouse is Alexandra Callard, a reclusive widow struggling to connect with her own daughter.
Confused, distraught and fearful of being labelled as mad, Bess is determined to find out who took her child and how they even knew of her secret existence in the first place. Six years after leaving her illegitimate daughter at the foundling hospital, Bess Bright returns with money to collect her child only to find that someone else has beaten her to it, using Bess’ name to fraudulently claim the little girl as their own. Stacey Halls’ The Foundling transports readers to Georgian London as it centres on two women from different backgrounds who are bound by the same child.
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